Friday, 10 November 2017

Puella Magi Madoka Magica The Movie - Rebellion - Book 2

"As I thought. You were behind all of this weren't you..?" - Homura

We return to our look at the three volume manga adaptation of the 2013 sequel film to the acclaimed 2011 seinen Magical Girl series Puella Magi Madoka Magica.  In the first book we were presented with a situation that we knew to be impossible. Madoka was back and a normal Magical Girl not the Goddess she had become.  Sayaka was back from the dead and living with Kyoko who was a happier and more sociable individual with Mami the strong leader of the five.  Even Homura was different, back in the glasses and braids she had before she lost her innocence to her constant time looping, she even had those time powers back when at the end of the series she wielded a bow of light instead.  And they were fighting cutesy "Nightmares" using the power of kawaii and not the creepy wraiths seen at the end of the series. Even the Machievellian bunny-cat Kyubey was different, only saying "Kyu Kyu" like a Pokemon and hanging out like an innocent team mascot. Seemed like everything was going right. And for Homura that meant things were so wrong.  Unable to accept this happy life she began picking away at it and soon discovered that the world outside Mitakihara City did not exist and this could only point to one thing in her mind... a Witch's labyrinth and they are all trapped inside. The previous volume ended with this revelation, and with her shedding the glasses and braids to fit how she feels now, read on to discover just who is responsible for this labyrinth as she continues her investigation.

This manga is unflipped so reads from right to left.  Honorifics have been included and I gave up as regards to Kyubey's gender, it's a he and that's that.

Next day Mami accosts Homura on their way to school surprised her hair isn't in braids, although she says Homura looks amazing.  She invites Homura to come over to her place after school.  Later we join Mami, Bebe, Homura and Madoka having tea at Mami's place.  Kyubey is curled up close by, watching always watching Madoka.
Homura quizes Mami.
Homura asks Mami how long she has been with Bebe, who to Homura is the Witch Charlotte who killed Mami in the series.  Mami says they have been together for a very long time. She knew her before any of the others:

Mami:  "I was the only Magical Girl in Mitakihara... back then my only support, the only one who could encourage me was Bebe here... if this little one hadn't been here... I don't think I'd have been able to go on".

Homura tells her she is stronger than she thinks, she thanks Homura saying she likes being sensei to the younger girls, now she is surrounded by friends she can count on and doesn't have to push herself to breaking point like before.

Mami and Madoka discuss fighting the Nightmare while Homura sits in silence.  Then she asks Mami for another cup of tea and Mami goes into the kitchen.  Homura then transforms into her Magical Girl form and freezes time.  She grabs Bebe saying it's time to "end this farce". Homura believes Bebe is the Witch causing all this:

Homura: "What are you trying to do? Why are you toying with us? What is so fun about this to you?"

She chokes Bebe then goes leaping out of Mami's flat with her.  She think about how she was never able to get along with Mami, it was always the hardest to tell her the truth about Magical Girls.  She tells Bebe she would have rather remained ignorant of "how many times I've had to stomp on the hearts of others".
Steady on Homura.
She smacks Bebe round some more, but Bebe only babbles about cheese. Then Homura is tugged away from her by a ribbon Mami quickly attached to her ankle before time froze.   She has been following them and wanted to hear Homura's motive but "I can't allow you to hurt Bebe any more than you already have".

Bebe starts to make a getaway, and Homura starts to follow but Mami stands in her way.   Homura asks if she is prepared to protect "that thing" no matter what. Mami says yes and "if you don't stop it now then you and I are ready for a fight".

So with neither side backing down an incredible battle kicks off. Watch it here, it's amazing like something out of a John Woo fever dream.  For every bullet Homura fires from her collection of auto and semi-auto pistols and rifles, Mami summons a single shot musket and aims at each bullet.  The bullets freeze in time as Mami and Homura keep laying into each other until they both stop to catch their breath. Homura restarts time and all the bullets grind against each other and riddle the old part of town.  Realising the stalemate, Homura takes a pistol and fires upwards at a window hanging above where she is standing.  The shattered glass falls on her and as it cuts the ribbon holding Mami to her, Homura freezes time again.
Gun-fu!
[This use of the window is in fact a bowdlerisation of what happens in the film although the result is the same.  In the film Homura puts a pistol to her temple and pulls the trigger and we get a lovely gory shot of the bullet passing through her head and out the other side.  Panicked, Mami materialises the ribbon to try an unbalance Homura and to stop the bullet going through her head. As the bullet starts to slow, Homura kicks her leg up and uses the bloody bullet to slice through the ribbon cutting Mami off from her and freezing her in time.]
Homura contemplates murder.
Anyway, Mami is frozen now,  Homura approaches her, gun raised and aimed at Mami's soul gem, before lowering her weapon to shoot her in the leg.  But as she restarts time the bullet hits and Mami bursts into ribbons.  Real Mami made a ribbon duplicate, she was never in any danger herself.  She wraps Homura up in ribbon bondage, which is the third time she's done that to Homura.

Mami: "I'll admit it.  Your magic is very impressive.  But to always assume that you are in a better tactical position than your opponent will lead to disaster".

Homura shouts at her that Witches are their enemies, try to remember she pleads.  Mami she does't know anything about Witches their enemies are "magical beasts"  She pauses then slowly wonders if they fought magical beasts, "what are the Nightmares?"
Bebe/Charlotte - Nagisa Momoe.
Suddenly a fire extingusher is tossed down with a sword through it making it blast out a cloud of vapour.  In the confusion Sayaka cuts Homura free of her restraints and escapes with her.  Another figue appears to Mami, a young girl who says she will explain everything.  Sayaka takes Homura to an empty street and finishes cutting her free of the ribbons.

Sayaka: "Mami-san is at the top of her game... and you decide to pick a fight with her head on?  You're either way over-confident... or a complete idiot".

Homura says she hadn't meant to provoke a fight but it was unavoidable.  "Bebe right?" says Sayaka to Homura's surprise. Sayaka says she must have though she was behind all this because she used to be a witch, "there should be a limit to how many conclusions a girl can jump to".

She asks Homura what kind of Witch would create the labyrinth the size of a city and not kill or attack a single human being.   Bebe wouldn't do anything like that.   If Homura gives it some thought, it will come to her. This labyrinth is all about control, so who benefits from it?
Sayaka and Homura talk.
Homura starts to turn her shield to stop time and leave but quick as a flash Sayaka jams the tip of her sword in the shield's gears and keeps Homura there.  "That's a bad habit. You depend too much on that magic" says Sayaka.  Homura says that Sayaka is saying the labyrinth is being created by one of them. "The idea really shouldn't surprise you" notes Sayaka. She then asks what she intends to do when she finds who trapped them in this labyrinth.

Sayaka: "Is it such an awful crime... for the person to wish for this world?  Does she deserve to die? Is this place really so terrible?"

Homura is horrified that she would take the side of a Witch, but Sayaka says it's natural she'd have a little sympathy for it.  Mulling this over, Homura realises neither Mami nor Kyoko could detect the Witches barrier so it can't be them.

But thanks to Madoka's sacrifice, Witches shouldn't exist now.  Before they transform they are taken away by Madoka - The Law Of Cycles.  Homura says that there are three people whose presence should be impossible.  First the Witch who made this labyrinth.  Second Bebe here in her Witch form.  And finally Sayaka who knows all about Witches.  Is she the real Sayaka Miki?  Sayaka says she's the same person she's always known.  Then she releases her blade from Homura's shield and whirls her cloak round, disappearing and leaving the image of her Witch form Oktavia Von Seckendorff in the puddle of water.
Reflection of Oktavia.
Homura says Sayaka never used to be that accomplished as a Magical Girl.  Then she hears her in her head asking what she would do when she found who was causing all this, would she be indifferent to the destruction of this Mitakihara?  "You don't want to wind up with any regrets" she tells Homura.

But as Homura walks through the streets she thinks about what she has learned.  She believes someone has run away from the world and dragged them all with her.  Turning her back on a destiny fighting magical beasts.

Homura: "How can I be expected to permit such weakness? A Magical Girl must continue to fight.  That is the price of the miracle she wished for."

She believes this is making a mockery and a farce out of Madoka's sacrifice and she will not permit it to go on any longer.  She is interrupted from her reverie by Madoka who jumps down to join her.

Madoka tells her Mami-san is worried about her and she can sense Homura is keeping things bottled up. They sit together in a field of flowers and talk.  Madoka says seeing Homura in pain is rough on her as well and so finally, Homura lets it all out.

Homura: "I had a very frightening dream. in my dream you went to a far-off place... a place where we'd probably never meet again... and everyone in the world had forgotten about it... The only one who remembered that you had even existed Madoka... and as time passed I started to feel my memories of you were just something I had imagined... I started to doubt them myself".

As she tells Madoka this, tears fall from her eyes and Madoka starts to hug her.  She begins braiding Homura's hair again and says that it sounds like it was a scary dream, but "you know me. Would I go off alone to some place where I could never see you or anybody ever again?  You know I could never do that".  Uh oh, not what Homura needs to hear Madoka!
Madoka tells Homura what she wants to here.
Madoka says she wouldn't want to say good-bye to anybody.  And with that Homura realises that when Madoka made her wish to destroy all Witches before they were born and wrote herself out of existence as a by-product she should have done "everything in my power to stop you from going through with it...!"  She turns to Madoka and tells her she does have the courage to make that decision.

She lets her hair flow out of the braid and holds Madoka's hands saying it should be impossible for her to be here together like this "but I know... that you are the real Madoka". She gets up and says she has to go, there are still things she needs to do.  She tells Madoka that just the fact they were able to sit and talk made her very happy.  And she runs off down the field leaving a confused Madoka in her wake.

Alone now, Homura calls Kyoko, who I am pleased to see is back in her shorts and hoodie combo.  Homura asks if she remembers Witches, but Kyoko doesn't. Homura says that is how it should be. She then asks if Kyoko remembers Madoka, Kyoko says of course she does, but Homura says those memories are false. 

Homura: "It's so simple... if only I had put a little bit of thought into it, I would have known sooner.  The only person who could fabricate a world with Madoka in it... is someone with the knowledge of Madoka herself".

And that's how she now knows who rewrote everyones memories and created the false Mitakihara. Kyoko starts running, concerned about what Homura is saying, demanding to know where Homura is now.

Homura just says sadly that she has one last thing to confirm and then she can bring this all to an end, and hangs up apologising as Kyoko stands in the road facing a zeppelin falling from the sky on fire. Homura then leaves her Soul Gem behind and gets on the bus.  Magical Girls can't be seperated more that one hundred metres from their gem without the life leaving their bodies. As she does so, Kyubey watches with interest.
The fake city starts to fall apart.
The bus travels much further away and nothing happens to Homura.  The false Mitakihara starts to crumble and burst into flames.  She returns to the gem, tosses it high in the air and shoots it, shattering the supposed vessel of her soul.  And she is fine, except she isn't:

Homura: "So why?  Tell me... Why.. did I.. become so... and when did it happen?  When... did I... turn... into... a... Witch!?"

Could things get any worse for Homura? Yes they can because Kyubey slinks up to her and tells her that the "the truth should no longer be of any interest to you."  But he's going to tell her anyway because bunny-cat's a dick and this is all his doing of course.

Kyubey tells her that human curiosity is "simply illogical", he shows her that her body is lying on a dias in a desert being observed by floating eye-ball cameras which takes Homura aback somewhat.  Her soul has been placed in an isolation field and her Soul Gem is now saturated with impurities.  But it cannot be affected by anything from the outside world.
All bunny-cat's fault.
The Incubators have done this to try and discover the power that purifies Soul Gems and what happens to the Soul Gem if it is cut off from The Law Of Cycles, "researching you has yielded some quite fascinating results".   The formation of the labyrinth for one and its subsequent capture of several victims.  It's similar to the Witch phenomenon Homura rather foolishly told him about at the end of the series.

As long as her gem remains within the isolation field and does not break she will not transform fully into a Witch form.   She's like a chick that can't break the egg so continues growing inside it, "right now, we are in a world within your Soul Gem".  Homura says if she is isolated from the outside world how are others getting inside?  Kyubey says they made some adjustments so she could "guide and induce your victims to enter".

They are waiting to be able to isolate and observe the reason why Magical Girls disappear and understand the rules that govern it.  They've already noticed that there are individuals in there who who don't exist in the real world and of them there is one who "does not exist in the past. Nor is her existence possible in the future". 

There is one problem though, Madoka Kaname "hasn't demonstrated a shred of unexpected power".  She seems to have forgotten she was in there to save Homura and has lost her Goddess identity.

Kyubey: " And we find that we have reached a stalemate. It is as if Madoka Kaname has forgotten she is a God... and that Homura Akemi has forgotten she is a Witch".

Kyubey says that now Homura has realised the truth it is time for her to look towards Madoka to save her.  That way Madoka will remember why she came there in the first place.
Homura realises the truth.
Homura wants to know what they are after.  The eye-bots say they want to observe the Law Of Cycles.  Homura responds that they just said curiosity is illogical!  She realises they don't just want to observe, "you want to control Madoka?"  Kyubey says he cannot deny that is their ultimate goal.

Kyubey: "If we can observe it, we can intervene.  If we can intervene, we can exert control. And if we can control it, then Magical Girls can become Witches... and we can expect to collect much more energy than ever before".

The transitional state between hope and despair produces a quantity of energy far greater than they predicted.  There are unlimited possibilities hidden within Magical Girls and so they have to ensure their transformations from Magical Girl to Witch.

He tells her "the existence that was Homura Akemi is finished... your fate has reached its conclusion.  All that remains is to reunite with the one you've been waiting for.  Does that not make you happy?"  And we see braids-and-glasses Homura holding Madoka's hand.  She is happy and at peace ready to move on to the afterlife with the girl she loves. But then Homura says "no."  And coldly shoots her innocent self right in the face.

Homura: "That 'happiness' is something I have never sought".

Kyubey tells her the curses inside her are growing, she'll miss her chance of purification at this rate. But Homura says that Kyubey in this universe does not know she made her wish to protect Madoka. And instead of risking Madoka she'd rather become a Witch instead.

Kyubey asks if she is willing to spend all eternity living with her curses?   But Homura says she trusts Mami and Kyoko to kill her.  Kyubey says if she dies in the isolation field "no one will ever be able to rescue your soul from despair".  Homura just roars "SHUT YOUR DAMN MOUTH."

Kyubey looks on bewildered as Homura thinks to herself that all she can feel are her darkest regrets.  She is deep in true despair.   She thinks about how she was not able to say goodbye to Madoka and how sorry she is.  And thus is born "Homulily" the Nutcracker Witch.  End of Book 2.
Homulily.
You have to credit Kyubey, him and the rest of the Incubators have surpassed themselves in epic bastardry.  Essentially torturing a teenage girl and in doing so actually blocking the divinity of Madoka.  His relentless mind raping of Homura is a sight to behold and yet he still didn't count on the depth of love Homura has for Madoka that she would rather become a Witch than let the Incubators get their paws on her.  And we get to see just how tough the ending of the series was for Homura with her tearful confession to Madoka in the field of flowers about how lonely and sad Madoka being written out of her life left her.  There's also some cool moments to, I never liked Mami that much in the series but her gun battle with Homura shows that the veteran fighter can hold her own and out think Homura in a one-on-one battle.  Sayaka too takes a level in badass, and despite their antagonistic relationship in the series, here she tells Homura in a roundabout way not to be such a self hating individual.  We'll find out why she and the young girl who is also Bebe/Charlotte came to enter Homura's labyrinth in volume three. And let's for a moment consider what Homura's labyrinth says about her.  For all her aloof laser-beam like focus on Madoka, the two others left standing at the end of the series - Kyoko and Mami - she put together with people she knew would make them happy and deep down she wanted nothing more than to be part of a tight knit group of friends fighting together and hanging out. Madoka's words of comfort though will also come back to bite everyone in a big way, so join me for the final volume in a few days time.  Will it all end happily?  Hahahahaha. No.

Monday, 6 November 2017

Puella Magi Madoka Magica The Movie - Rebellion - Book 1

"We dream of a familiar smiling face... that we hope someday to meet again" - Homura

Puella Magi Madoka Magica is the critically acclaimed 2011 seinen anime series about five teenage girls and their dealings with a bunny-cat called Kyubey who offers to grant one single wish, in return he creates a soul gem which becomes the source of the newly created Magical Girl's powers and they have to commit to a lifetime of fighting monstrous beings called Witches who hide in labyrinths and feed off humans.  Unfortunately there are several things Kyubey isn't telling them, first that he creates the soul gem by literally ripping out the girls soul leaving the body an empty shell that can take huge amounts of physical injury in battle. Secondly that the Witches are actually magical girls who gave into despair and transformed, and finally that he is part of an alien hive mind called the Incubators who use the energy created from girls transforming into witches to battle entropy.  The girls are Mami Tomoe, the senior girl who gets her head bitten off by the witch Charlotte, Sayaka Miki the newbie who falls to despair and transforms into the witch Oktavia, Koyoko Sakura the cynical lone wolf who falls for Sayaka and dies in a suicide bomb attack against Oktavia and finally Madoka and Homura. Homura is a time traveller who has been repeating the same six week loop for over a subjective decade in an effort to stop Madoka, the girl she loves, becoming a Magical Girl.  Madoka however does make a wish in the end, the wish to erase all witches before they are born, past, present and future and all the karmic destiny Homura's time resetting built up around her gave her the power to do this.  This rewrote the laws of the universe, and resulted in Kyoko and Mami coming back to life as there were no Witches to die to now (they battle things called Wraiths instead), Sayaka still dying but being taken away after death to Magical Girl valhalla and finally Madoka ascending to Magical Girl Godhood as "The Law of Cycles" but the trade-off was being forgotten by everyone in the whole world but Homura, the girl who did everything out of love for her and who had lost her time manipulation powers too so no more do-overs.  It was obvious to anyone watching the closing moments of the series that Homura was not doing at all well mentally and so in 2013 a sequel movie focusing on her was released.  And like the original series, it has a three volume manga adaptation.  I'll say right now, the film basically split the fandom down the middle but I shall keep my opinions on it under my hat until I wrap up volume three.
Magical Girls.
This manga is unflipped so the pages read from right to left and as regards Kyubey's gender... I give up.  I'm calling it a "he".  90% of the proof reading corrections I made to the three posts I did on the series adaptation was erasing references to him as male.  Strange that a genderless being who is voiced by women should be gendered male by pretty much every viewer (including myself obviously), probably a gender studies essay to be written there.  But anyway, it's a he, and that's that. Oh and just a reminder, I'm a fanatical Kyoko/Sayaka 'shipper so if you want an idea on which side of the fence I'm on regarding this film, there's your clue.
Sayaka and Kyoko fight together not each other.
After a short intro vaguely summing up what it was like to be a Magical Girl, the story begins proper.  A stuffed cat wearing a teddy bear head goes flying through the streets causing cutesy havoc as it goes.  Then Madoka appears (huh?) and fires her bow at it.  It bounces through the streets and suddenly Sayaka (wha?) and Kyoko appear and work together to divert the teddy-cat into a house where a picnic is taking place.

 A song strikes up with the lyrics "no not yet", while Mami appears.  The four of them feed what is revealed to be a "Nightmare" with various foods as the song continues.  Then Mami unleashes Bebe on it, which is her best friend.  And also the witch form Charlotte who bit her head off in the series.  So that's dark.  With the Nightmare out cutesied it fades away, "your bad dream ends now".  And the four plus Bebe stand triumphant.
Kyoko, Mami, Sayaka, Madoka and Bebe up top.
Next day Madoka is woken my Kyubey.  But something is wrong with him, he only speaks the word "Kyu" like a Pokemon. Madoka gets dressed, wakes her hungover mother up and in the bathroom they chat, Madoka says that Hitomi is having a hard time dating Kamijou due to his constant violin practicing.  Madoka also metions her teacher Kazuko keeps going off about the end of the world.  And finally a new transfer student is arriving today.

Madoka finishes breakfast and catches up with her two friends.  But this time Kyoko has taken to place of Hitomi, she's a student now with a uniform to match!  Not much has changed though as Kyoko says she totally blew off the homework and can she copy Madoka's? She and Sayaka then argue about how irresponsible Kyoko is and how when they went home together to do it, she just watched TV instead.

Kyoko: "Geez! I knew it would be impossible to do both school and Magical Girl stuff!  We don't get any time to relax!"

And Madoka rolls her eyes as Sayaka chases Kyoko round and round her, scolding her all the while.  Later in class, Miss Kazuko starts speculating that the world will end in many different ways and she would welcome it because she getting close to age forty and not married.
Homura joins the team.
She snaps out of her reverie and introduces the new transfer student.  It is one Homura Akemi, seen here in her bespectacled incarnation before the time reset angst turned her into the hardened warrior of most of the original series.  As Miss Kazuko introduces her, Homura lifts her hand and shows she has the ring of a Magical Girl much to the surprise of Sayaka, Madoka and Kyoko who are all in this class.

Later on top of the school roof, Mami says she should have introduced Homura sooner.  She had her on standby the previous night.  Mami says they'll be astounded by her magic, Homura shyly says she can only really operate in a support role. Sayaka says the Nightmares they have been having to take on recently have been a lot of trouble so her prescence is very welcome.  Kyoko agrees too.  Madoka runs up to Homura, grabs her hands and says "let's give this town our best.  Homura-chan".

We then jump forward a month.  Homura and Madoka are sitting in a park with Kyubey curled up next to them.  Homura is pondering something:

Homura: "It seems like we've always been together.  But it also seem like yesterday that we met".

Madoka just wishes people could have good nights sleep and no nightmares.  Then she says she has hoped for a long time that she and Homura might get a chance to talk. But she does't have anything special to say.  Homura say spending time with Madoka "is something I've been waiting for a long, long time, Madoka".
Homura and Madoka together again.
We then cut to Hitomi, she was the friend of Sayaka and Madoka who declared her love for Sayaka's crush Kyosuke and sent Sayaka spiralling into the depression and self-hate that saw her turn into a witch.  She ring Kyosuke and asks him out on a date, but as usual he is practicing his violin. She hang up and thinks that he is "so gallant... and wonderful... I do love him, but... why can't he work a little harder for my affections for a change!?"

She slumps down on the bed  saying she's "had it". She nods off to sleep thinking dark thoughts and a Nightmare forms around her.  Mami is getting ready for bed when Bebe flaps about speaking gibberish that tells Mami there is a Nightmare that need dealing with.

Outside watching the Nightmare are Kyoko and Sayaka.  Kyoko asks Sayaka if it's Hitomi's nightmare and Sayaka grins saying:

Sayaka: "Hitomi's sure got it rough... but it's her own fault for dating a guy who has the consideration of a brick".

Kyoko notes that it means a lot coming from her and Sayaka replies that she has some experience with these things.  The Nightmare is rampaging around turning the sky into patterned cloth.

Kyoko and Sayaka jump down to meet up with Mami and Bebe.  Then Homura and Madoka appear and the team is set to go.  We then get a few pages showcasing them transforming into their Magical Girl selves, which manages to be less ridiculous than the same transformation sequence in the film.  At the end they all stand in a line and declare themselves "Puella Magi Holy Quintet!"

The Nightmare has trashed a building, so Mami and Madoka attached themselves via ribbons to Homura who freezes time, they can still move and using Mami's ribbons attched to Madoka's arrows they wrap round the building and pull it tight, bringing it back to normal.
The Cake Song begins.
Kyoko and Sayaka are up next.  Sayaka hurls five swords at her and Kyoko creates a lattice barrier.  The swirds fly through attaching to the barrier and tie the Nightmare up.  They all land on a table and Bebe shrinks the Nightmare so it sits under a clear dome on the table.  Then we get the infamous cake song.  Rendered here in "chibi" style they chant a song about what kind of cake it is until it suddenly grows huge and Bebe turn into her clown worm self and eats it.

Back to normal, Bebe burps up Hitomi's floating head.  Sayaka grabs it and send it towards a sillouette of Kyosuke.  They hold hands and disappear and Hitomi gets a nice dream for the rest of the night.  Madoka says triumphantly, "we did it!"  Sayaka agrees it was easy with all of them there.  Mami cautions not to get over-confident, but Kyoko says she'll only listen to a lecture if they come "with a side of tea and cake".

Mami invites them all over, but while the four of them discuss what they want, Homura hangs back frowning.  Madoka turns and asks if she is alright, Homura says she is but is thinking:

Homura: "Is this... what our battles... were supposed to be about?"

Next day in school Homura notices that everyone bar her fellow Magical Girls, Hitomi and Kyosuke have blank faces and are speaking but with no words.  Only she seems to see this though, as far as the others are concerned everything is normal.  On the roof while the others eat she looks down and sees the rest of the city is like this.
Sinister world for Homura.
Madoka asks her if she wants to come shopping, but Homura says she has something she needs to do today.  Kyoko says she won't come either so Sayaka agrees to bring some food back for her.  And the gang split up.   Sitting under a tree a short time later, Kyoko ask Homura what she wants to talk about.

Homura: "...have you felt like something seems off lately?"

She has asked Kyoko first because to her, Kyoko is the one acting most strange. She says Kyoko is "different from the impression I have in my mind."  Reality is way off from how she pictures it and she has a feeling she wasn't always like this.

Kyoko is somewhat taken aback by this and asks if Homura is trying to pick a fight with her.  Homura asks where Kyoko is living right now and Kyoko says she is staying at Sayaka's place.  Homura then asks how long she's been going to Mitakihara Junior High.  Kyoko says she transferred in, but when pressed by Homura, can't recall exactly when.

Homura then asks where she lived before and Kyoko says it was the next town over, Kazamino.  But she cleaned the place out and Mami asked for help so she came over to Mitakihara.  Homura asks if she has been back to Kazamino recently and Kyoko says there was no need.  Homura asks Kyoko to come with her now to Kazamino and "if it is the town you knew from before you moved here, then I'll apologise".
Kyoko agrees to Homura's plan.
Kyoko realises she is serious about this so agrees saying there is a really great ramen place and she can treat her to dinner there.  So they board the bus headed for Downtown Kazamino.  Kyoko rings the bell as they approach, only to find they are back at Mitakihara District 3.  Kyoko freaks out saying it's supposed to have turned left.  They disembark wondering if they got on the wrong bus.

They get on the next bus and ring to get off at Kazamino North Entrance, but it just takes them to Mitakihara District 2.  Angrily Kyoko starts to yell at the faceless driver but Homura stops her and they get off.   They decide to try walking this time, but the road twists and turns before bringing them back to Mitakihara.  Kyoko starts to power up saying someone is trying to stop them leaving Mitakihara.  Homura stops her with a scary thought:

Homura: "It may not be as simple as that.  It may even be... that there is no world outside of Mitakihara".

She then asks Kyoko if she could keep this quiet for now, she has some other things she wants to investigate.  Kyoko starts to protest but Homura point out the shadowy blank-faced people who are watching them now.

Homura says the trap is set up so they'll attack them if they show they know what is going on.  So for now it would be better for her to work alone, "as long as we keep going along with it... there should be no danger".  Kyoko agrees but says she also feels something weird is going on with her memories. She should be surprised seeing Homura show backbone, but she isn't surprised, "it's just the opposite.  It seems like that attitude fits you best".
Creepier and creepier.
And she leaves.  Homura now alone begins to reflect on what she knows.  She recognises the isolated illusory space, trapping and confusing prey in a maze with no exit, she has no doubt that this is a Witch's labyrinth.  As she undoes her braids and removes her glasses she thinks about how Witches were the final form of a Magical Girl who had fallen into despair and how she travelled through time to "thwart a fate that was too heinous to imagine."  And how Madoka sacrificed herself to break the cycle and lead a new world order.

Homura: "That's what should have happened.  And yet we have forgotten.  Someone is altering our memories as a part of this trap... No. We have been made to forget. Within this fictious...version of Mitakihara!"
The glasses come off, the hair comes down and it's go time.
End of Book 1. First thing you might have noticed is this is a much shorter post than the ones on the series.  This is because this three volume series is based on a two hour movie, not a twelve episode series and there is much more action as well. Anyway this Witch's labyrinth has all the aspects of your typical Lotus Eater Machine.  Sayaka has made her peace over losing Kyosuke and has no overwhelming angst about being a Magical Girl.  Kyoko has Sayaka back and is close enough to her that they live together and this seems to have encouraged her to deal with her dark and troubled past and rejoin society.  Mami is not the fragile individual she was in the series, the support of Bebe has lead her to become a respected leader of the team and has helped her with her issues around being lonely.  Madoka is back and is no longer worried about being The Load, she's a capable Magical Girl and also has her family again.  And Homura has Madoka, which has seen her returned to her more "innocent" self rather than the battled hardened veteran of many timeline resets.  Battles are fun not frightening and the reward encourages fighting as a team.  So what kind of Witch would create a Labyrinth that brings happiness and contentment not despair and death?  Well Homura has finally seen through the sham, a gut feeling that things are not quite right and if there is anyone equipped to sort this out it's her.  Even if it means losing that which she cares about most dearly. And there is always Kyubey, just why is the evil bunny-cat acting like the cuddly Team Mascot not the complete bastard we all know he is? We shall see what he's up to never fear.  What's also noticable about this first part is the extreme pandering to the fanbase going, things like adding Charlotte as a character, putting Kyoko and Sayaka together, having all five fight together and call themselves "Puella Magi". It's like they were reading the fanfics.  But, like the series it's based on, the cutesy exterior is already falling away as Homura sets herself the task of figuring out just what sort of witch would create a labyrinth like this.  Find out yourselves in a few days time.

Wednesday, 1 November 2017

Alan Moore Obscurities: Albion (#1-6)

"What other explanation for all this is there, Danny? You know it's the truth" - Penny

Apologies for the short posting break, been obssessively replaying the Mass Effect trilogy.  And if you were expecting the final Providence book, sorry that'll be next month after I get it for my birthday.  So, more Moore. This miniseries was actually only plotted by Moore with his daughter Leah Moore and her husband John Reppion writing the actual script with art by Shane Oakley and George Freeman.  The aim of the series was to revive interest in old British comic characaters from the 60's and 70's who were owned by IPC and who did a deal with Wildstorm to allow them to be used in this story.  It includes a lot of characters mainly in cameos but Captain Hurricane, The Spider and Robot Archie (who also appeared in Grant Morrison's Zenith series) have larger roles.  The main thrust of the series is that this is a world where superheroes exist, but are hidden away from the public in a castle detention centre where some are prisoners and some are guards.  We follow the exploits of Penny, the daughter of one of the inmates, who is determined to reveal their existence to the wider public along with Danny an amnesiac collector of British comics.  Flashbacks are drawn in the old style of the comic the characters first appeared in.  I have to say I am pretty clueless when it comes to UK heroes pre-2000AD so we shall see what kind of sense I can make of the miniseries as we dig in.

We start with a page of panels showing a man in what appears to be a coma.  Two off-screen orderlies are checking on him, one asks what's wrong with him and the other says "coma, trance, somethin' like that.  Eagleton's not saying".  They tidy the man up and one says it's today the "Yank" is going to visit. The other says he probably wants to turn the place into a "Camp X-Ray".  They switch the light off and wonder what the unconcious man is dreaming about.
Danny buying comics.
Elsewhere Danny is visting the shop he gets his comics from, run by the grouchy Mr. Love.  He tells Danny to do what he likes, he's not arsed.  Danny says some people would pay a lot of money for these comics.  Mr. Love says Danny isn't one of them. He tells Danny to "@%$* off" and leave him to read in peace.  Danny picks up a Valiant comic saying this one must be the last one ever.  We then get a two page spread of retro comic action involving "The Incredible Adventures of Janus Stark".

Danny buys it for fifty pence which Mr. Love says sarcastically that's his mortgage sorted then.  And Danny leaves. He goes home to a place littered with comics and turns on the news. A criminal who has been at large for thirty years has been captured, his hideaway was discovered with not only stolen jewels but the remains of several bodies. His name is Gryleigh Gartside Fiendstein and he is going to be tried for over two hundred offences.  Due to appear in court tomorrow.

The prisoners meanwhile are discussing the impending visit of the Yank and the fact this might mean this place gets shut down.  Then a prisoner runs in with another hanging off his ear by his teeth.  The nearby guard grabs him and says it's solitary for him permanently.  He tells the prisoners that they are "taking the piss today".

Fiendstein is being transported to the courtroom through angry crowds next day.  Danny gets as close as he can manage and yells "Grimly Fiendish!" And Fiendstein flashes a grin at him.   Suddenly someone grabs Danny from behind and drags him away.  It's a girl who tells him he shouldn't have done that, "talk about risky".
Penny.
She leads him to "home sweet home" and introduces herself as Penny.  The room is full of comics and renders Danny silent for a moment.  She offers him a cup of tea and asks if he is a comic fan?  He says he is and how did she know?  She says it was him shouting "Grimly Fiendish" that tipped her off.  Danny says he wasn't sure he was, he looked like him though. 

Penny: "Was that why you were there then? Chasin' comic characters?  I've been doing that for a long time."

He tells her his name is Danny and doesn't understand what she means.  So he shows him some film footage.  We see a man called Mike Higgs who says he put lots of in-jokes in "The Cloak" to make fans laugh.  British fandom was just starting, it was a lot of fun to do.  He is asked about the rumour that The Cloak was based on a real person and Higgs demands the tape turned off now.

We then see footage of the legendary Steve Moore, the man who mentored Alan Moore's early career, who says they all signed the Official Secrets act.  He figured it was to do with the space program and "Captain Dare".  He is asked if he ever met Captain Dare, Moore says no, "but Captain Hurricane came in once, went straight through the office."  Terrifying bastard he was concludes Moore.
Steve Moore.
Danny is having a hard time accepting they were all real people, but Penny tells him to come with her to Manchester where they discover Robot Archie on display in a shop. We get a montage of various imprisoned comic characters and we see Grimly Fiendish being dragged into a cell, he tells them they don't know who they are dealing with, but he ends up alone in a cell saying "I'm not scared" to himself.

We then return to Penny and Danny having made off with Robot Archie and driven through the night back to Penny's home in Liverpool. She switches a light on revealing a whole bunch of  puppets and robot dolls.  Danny begins to freak out but she just tersely says he can't leave because he is a part of this, and if he's a part of it "then you're either with me or against me... and if you're against me.  You're dead".

Next we see the ancipated Yank arrive at the prison, he says his name is Nolan and no wonder he's been sent over, the security is terrible.  He is talking to Eagleton who says that Nolan must have noticed the place can't be located by GPS.  Nolan says that they are good at hiding the place from the outside, but it "doesn't help keep all the freaks in, now does it?"  Nolan is a fairly broad charicature of a boorish Irish-American, but Eagleton is also a fairly cliched uptight Englishman so bear that in mind as they talk.
Eagleton and Nolan.
Back with Penny and Danny, Penny is still abusing Danny while getting him to help with re-activating Robot Archie.   She reveals that her father was Eric Dolmann, master inventer who created Robot Archie. He says she can't be his daughter, Eric Dolmann isn't real.   But she says he must see it's all true.  He says he loves comics, they're the only thing he remembers from when he was a kid, but this is all a bit much, "I mean.. you're taking the piss though aren't you?"

We then get a two page flashback to her childhood rendered in The Beano style, with her witnessing her father being arrested by "The Spider".  She saw a criminal arresting her dad and the police went along with it.  She was put in a group home and she was relentlessly bullied.
Penny's childhood.
Danny thinks then says "Nah, I'm not having it".  She assures him it's true.  But Danny asks why would they all be arrested? What was it all about?   She tells him about "The Eye of Zoltec" and how that is real too, if she can prove that it exists, will he believe her?  He says there was no Eye of Zoltec.  She asks him how well he remembers the year 1984.

Back with Eagleton and Nolan, they are inspecting a tank with an unnamed person in it who is actually a colony organism. Nolan thinks this looks bad, but Eagleton says the facility has run for over twenty years "you are only here because of some ludicrous statistics!"  Nolan just moves onto the next inmate, the man in a coma, his name is Cursitor Doom.  He owned the castle before the M.O.D commendeered it.  He was in a coma then so he couldn't protest.

Nolan complains that many of the inmates are walking round like it's summer camp.  Eagleton says those ones are no threat to security.  "International security, Eagleton.  It means all of us, not just you" responds Nolan.  Eagleton ignored this and takes Nolan to meet the source of the leak about the security arrangements at the prison.  It's a robot skull-head attached to a box.  It politely offers them both a drink.
The Brain.
Cut back to Penny and Danny, she begins to tell him about 1984.   It was the day the I.R.A blew a Brighton Hotel where much of the government was staying during conference time including then PM Magaret Thatcher.  She survived of course.  And the reason was, unlike in reality when she was on a different floor and it was still a near-miss, she was at the centre of the explosion.  But she was wearing The Eye Of Zoltec, which can be seen on the video she shows Danny.  It protected her and every PM since has worn it, "It's just one of the little 'gifts' they got from people like my dad."

Penny: "It's all true, Danny.  The heroes are real.  And we're going to find them."

Danny.  "What do you want me to do?"

Back with Nolan and Eagleton, the human-robot-head is actually called "Brian's Brain".  He seems to think he also runs the facility much to the annoyance of Eagleton.  He sent charts to the C.I.A about their "time-bomb situation" and thinks Nolan needs to judge for himself.

The other inmates are restless.  They seem to suspect the prison is preparing for trouble.  Another says they'll be a riot if the carry on like this. Nolan and Eagleton go and see The Spider.   He is behind unbreakable glass and kept naked, his food delivered by automated hatch. Then it's time to visit Captain Hurricane.
Captain Hurricane.
Penny and Danny are watching another interview with a comic creator.  Rod McKie says he tried to rescue as much art as he could when they shut things down but he was told it was all going to be burnt as a "fire-hazard" which broke his heart.  But they gave him some to stop him "whining".  

Rod McKie: "More like they didn't want the evidence lying around anymore.  They wanted it all forgotten."

Danny watches transfixed saying he can't believe all that art got burnt.  Penny then asks him what got him into comics then?

Danny says it's a long story.   They've always been everything he ever had.  "I've been like, drawn to them forever" he tells her.   Although not in a "creepy fanboy way with plazzy bags" (HEY!).  He says his first memory is of being borned again after being pulled out of a bus crash that killed lots of people.   He could remember nothing but his name.
Danny tells his story.
His mum and dad might of been on the bus, he was interviewed but he couldn't remember his family so he ended up at a home as well as he was a kid.  No one adopted him so he grew up in the place and all he had to comfort him was comics.   He never remembered anything more not even how to spell his surname. Archie is bustling round now having been fixed cataloguing Penny's stuff.  She says his program's old and weird.  But she normal and she's hungry so they go out for something to eat.

Nolan seems unnerved by the massive Captain Hurricane.  The Captain says he used to read about "Zip" Nolan when he was  detective in comics.  He wants to know why Nolan is here and is told it's about their security.  The Brain has predicted a breakout or riot, Eagleton tells them.  The man waiting on The Captain is "Maggot Malone" who soothes him with words and makes him cups of tea.   They reminsce about their time punching nazi's in World War 2.  The Captain starts to get worked up, but Maggot gets some tea in him and calms him down.  He says his mum would have been so proud of him.  She didn't make the end of the war, doodlebug killed her.  All this leaves him feeling tired, so Nolan and Eagleton leave him to his rest.

Outside his cell, Eagleton say that The Captain doesn't see himself as a prisoner, more a permanent guest.   He is the culmination of hundreds of failed experiments to make a super-soldier, a freak and anomoly.  His tea is laced with anti-psychotics which Dr. Maggot Malone keeps him dosed with, they are specially made on site by him for The Captain's particular brand of psychopathy.

Walking to the shop, Danny asks if Robot Archie will be OK on his own.  Penny says he will, he inherited her dad's workshop when she was eighteen and taught herself from his notes to fix all the inventions.  They drop into a bakery and Penny notices the comic he has had on hims all this time since he bought it the day before. She says this one was pulped and never released.  He tells her he got it from a junkshop in town and she says they must go there.

Back in the prison one of the prisoners - The Steel Claw - reacts badly Nolan saying he thought he was "one of us."  He tells Nolan to "$%£ off, you wanker" which pisses Nolan off.   He grabs The Steel Claw by the shirt, but the other inmates watch intently and he backs off.

When Eagleton tells him again the place has worked fine for a long time now, Nolan says "yeah, well not for much longer".  Eagleton says he supposed Nolan would rather they had them strip and form pyramids. Nolan says he'll have the smile wiped off his face soon.  They move onto a thick steel door.  Nolan has to give an ID number and Eagleton opens it with a fingerprint and retinal scan, "Welcome to the armory, Mr. Nolan.  Do try not to touch anything" says Eagleton.

Penny and Danny arrive at the junk shop. Danny warns her that the man is a bit of a grouch.  He calls for Mr. Love as they go inside, but the place seems empty.  Then he comes in demanding to know what they want and Penny looks at him in shock.  As Danny chunters on about the comic, she tries to tell him something, that it's Charlie Peace (a time travelling Victorian thief).  But Charlie opens a draw and pulls out two flintlock pistols and tells  them to get on their knees now.
Charlie Peace revealed.
He says he doesn't know how "you lot found me" but they won't live to tell anyone.  Penny says they aren't who he thinks.  He pauses and she tells him she is Penny Dolmann, Eric Dolmann's daughter and how The Spider came and took him away. She says they are keeping them somewhere.  Mr. Love says they must be dead, why would they keep them alive, "what do you think, then? They've got 'em all locked up or somethin'?"

Next chapter begins with a prisoner called Fred "Faceache" Akely who can change his face to resemble different people.  Pretending to be Eagleton, he accesses the cell where The Spider is imprisoned.  They exchange pleasantries, with The Spider asking how everyone is coping with the American security review.

Meanwhile Nolan and Eagleton are in the armory where various items that the prisoner used have been kept.   Nolan thinks it is unsafe to keep them all here, "this place is a %£$*ing time-bomb".  Eagleton says where else would they store these things?  Nolan says maybe they should destroy these things.   Eagleton says it's a combination of bureaucracy and the things being too "precious and too dangerous to destroy."

Nolan says then why not use them?  Eagleton says they might use them and some like The Brain are alive.  They reach a large sphere with a man called Rollo floating in it doing a puzzle with another man.  He says it won't be long now and he's going to miss this place. Eagleton tells Nolan they are time-travellers who surrendered, they just appeared in the prison one day so they erected the force field to keep them in.

Returning to Penny and Danny, Penny tells Charlie that one of her robots remembers and signal ending in Scotland.  They cut out like they went underground or something.  He still seems dubious, but Danny asks why they would go to the trouble of arresting them if they were just going to kill them.  And Penny asks how he managed to not get caught? Charlie says he's had plenty of practice evading the law and we get a quick flashback to his Victorian days.

He escaped the noose and got himself sorted in London telling everyone he was Charlie Peace's grandson.  He enjoyed the comics but one day he had a feeling that someone was on to him and he wasn't safe anymore.  So he headed up to Liverpool and set himself up with a legit place.  The newspapers barely covered the comic folk disappearing. 

Charlie: "People dragged out of bed in the middle of the night.  Not just the scum like me, but them who was helpin' the law too.  People like your dad, eh, love?"

Penny reacts angrily to that. She says he's either the world's greatest burgler or full of it.  He says what's left to burgle, "the government have all the $%£$in ray guns and all that kiddie rubbish well away by now."  Danny says if they were keeping prisoners secret they'd have all their gear kept  too.
Danny talks Charlie round.
Charlie says he's had enough of Danny's bollocks. But Danny persists say he can help them, they don't want the loot just Penny's father.   He thinks on this, rubs his chin, then says "get up.  I know where they are.  I've been there before."

In the prison the inmates are still on edge over the security review.   One says to another, "we're already dead" and another agrees that "no one's got anything left to lose."  The Brain says the true nature of the threat is still unquantifiable but increasing exponentially.   He recommends they formulate a plan of action.

Nolan and Eagleton put on winter coats to meet the next prisoner.   He is James "Rubberman" Hollis.  He is being kept at such a cold temperature to prevent him using his abilities.  He resided in there ever since a past "incident" where he was able to change and attack several people. After that it was into the freezer.

They arrive at Grimly Fiendish's cell.  Eagleton admits that Grimly is an old adversary of his. Grimly specialised in crime where he got to "warp the minds of innocents".  Gleefully Grimly says:

Grimly: "And I'm proud of it! Children these days are oblivious to the great tradition of English monstrosity!"

Eagleton says he had his way for too long.  The world is well rid of his influence. Grimly says it's that influence on him that made Eagleton the man he is today.  Eagleton punches him in the face, "I am my own man, Mr. Fiendish".  He and Nolan leave as Grimly shouts after them that he is soft and doesn't know the true meaning of violence.
To be fair, he is a dick.
Nolan tells Eagleton that was a "good whack".  Eagleton apologises saying it's been a long day.  Nolan says he'd like to talk to The Brain again tommorrow and see what his angle is.  They have finished for the day and Eagleton says he'll call for him around nine to continue where they left off tomorrow.

Robot Archie has joined Danny, Penny and Charlie as they travel to a remote garage.  Inside is Charlie's drilling machine which needs some love from someone with Penny's talents.  They won't drill all the way to Scotland but Charlie also has a boat.  Penny says this is destiny, her and Charlie living so close.  Charlie has also changed into his Victorian threads saying it's time to do things properly.

At the castle next day, one of the inmates is kicking off, he's restrained but Nolan witnesses this and says Eagleton will regret not taking The Brain's  forecast seriously.   Eagleton says the security is fine, and The Brain is "treacherous" but they'll do some preparation.  Nolan says The Brain says they are headed for something they can't prepare for. "Well, thank goodness you are here Mr. Nolan" Eagleton says crisply.

They reach The Spider who had been chained naked to a chair so they can talk to him. He is introduced as Albert Chinard, an anagram of "Arachnid".  The Spider says his second name is actually "O'Pod" and his first name "Arthur". But this is just a wind-up name too.  Eagleton gets them back on topic, saying that they have a situation.  The Spider says they are playing right into his hands bringing him the information.  Eagleton outright asks what's going on.  The Spider says that's what they're all here to find out.
Interviewing The Spider.
On Charlie Peace's boat they hash out their plan, they are going to sail as close as they can then drill the rest of the way.  Penny has also brought along her dolls and asks what other technology they have on this boat.  Robot Archie and Danny are in the cabin playing cards.  Robot Archie is winning.

The Spider meanwhile is mulling over all the possibilities of what might happen.  Nolan says maybe he should have stayed in the US where he was in the 60's.  The Spider says not to believe everything you read in the funny papers.  He spins some tales about his origin and his alien DNA, then says he's an imposter and the real Spider has never been caught.

Eagleton tells him to cut the crap and talk some sense. Nolan says he might be a Chinese born alien but The Spider was never a hero, "you only wanted to eliminate the competition".  The Spider says through his career his intellect has always been his driving force.  The outwitting was more enjoyable than the material gains.  Villians are just generally more intelligent than the "good guys."  Nolan says he doesn't look so smart strapped in that chair.  "And yet, here you are" responds The Spider.

The Spider: "People are so obsessed with good and evil.  As if the two were ever mutually exclusive.  Heroes and villains, they all want to kill each other."

The government employed him as a hunter of the super powered and gifted comicbook heroes.    He lists some of the ways he took down various opponents, some were a challenge to outwit, some were children and gave no satisfaction and some needed brute force which was also not satisfying.   But the goverment betrayed him, no pardon that he was promised he was caught in by a forcefield gun and brought to the prison.
No pardon for you!
He sneers at Nolan saying his country was built on broken promises, "men of God buying their brave new world with beads and trinkets." Nolan says he's just about ready to punch him.  The Spider calmly corrects him when Nolan calls him Doctor Spockm saying he means Mr. Spock not the writer of a childcare book.

Eagleton says the banter is giving him a headache, lets return to the real reason they are here today.  The Spider says it's because they believe he knows something that Eagleton doesn't.   Nolan thinks he knows nothing and he'll stay here with the others until they all die. 

The Spider says that just means no one has anything to lose.  Eagleton tries to bargain, saying they'll give him books, music, additional priviledges. The Spider says he hopes he hasn't given the impression he knows anything about his problem, "You know how I hate misleading people."  Eaglteon leaves saying they've wasted enough time there.

The boat finally reaches it's Scottish destination, Penny is performing some modifications to Robot Archie who isn't enjoying that.   Danny looks a bit morose saying he was supposed to sign on the dole today.  Charlie says there are riches waiting for them in that place he can't even imagine.  They contemplate the castle and Danny wonders if it's the right place. Charlie says it is, he never forgets a job, robbing that place changed his life.

Eagleton and Nolan return to The Brain which is caculating a multiple threat as the likely cause of the disturbance.   But he can't give specifics to a frustrated Nolan.   The Brain says it will probably happen in the next seventy-two hours and advises the place be put on red alert.   He is absolutely certain he is right.  Eagleton says it is unfortunate Nolan is here to witness "such and unusual event."   Nolan says he'll alert Washington and they'll send a team.

Penny, Danny and Charlie have departed the boat in the drill machine.  Left behind is Charlie's two-man crew who discuss the situation.  Once says he feels like they are on the edge of something massive.  The other says things will work out. There is no sense worrying about Charlie, he's a tough old villain.  One asks the other if they'll help the Captain when it happens.  The other says they'll wait here, it's their job and now it's time for a cup of tea.
Robot Archie, distraction is go.
In the prison Captain Hurricane is in a spittle flecked rage about not getting his dose of tea (and unbeknowest to him, drugs).  He bellows for Maggot saying he wants his tea now!  Then the place goes to red alert.  Charging the prison from the outside is Robot Archie armed with gun-arm and shield.  Eagleton organises a detail to the front gate.

In the drill machine they are making their way under the prison, the place goes deep, has lots of dungeons.   But they hit something and try to pull up, Charlie says they must have built more floors below the old ones.  They burst through the wall and into a room with all the weapons and stuff and also what looks like an inert giant robot gorilla.  Charlie starts helping himself though does note most will need the owner to work it.  Penny says you could start a war with this stuff.  Danny says they should be getting on finding her dad, Robot Archie can't distract them forever.

Archie has entered the building, gunning down security sent to deal with him.  Nolan asks why he doesn't send Captain Hurricane out to deal with Robot Archie, Eagleton says The Captain is a "isn't just some obedient soldier, he's a superhuman psychotic" so they don't know what would happen if they unleash him. Then he gets alerted to the fact the armory has been breached.

Akeley has gotten into speak with The Spider again.  He says he wishes he could be the same as him, "all confident and stuff."  The Spider says they are the same, exactly the same... Security are scrambling to deal with the armory break in.  As they walk past the comatose Cursitor Doom one says that all the inmates getting out would be "like opening the gates of hell".  And Cursitor opens his glowing eyes.
Cursitor wakes.
Danny is walking past the cells, identifying the comic characters they are and letting them out.  Penny bumps into her uncle Louis she asks if they can take her to her father, which the reluctantly agree to.  The Brain meanwhile is saying this is just as he predicted. Penny is taken to her dad's grave.  He had a heart attack and died in his sleep. They tell her he was very proud of her and always talked about her.  She says his work lives on in her and she swears on his grave that "The House of Dolmann will continue".

The inmates are crowding the halls and start heading to the armory.  Also the special containment wing has been breached.  Cursitor Doom walks up to Danny and says that he is his son and apprentice, "at last we are reunited."

Doom: "Everything is just as it should be.  All the pieces are in place.  Now my end game can truly begin."

Two inmates are at the time-bubble trying to figure out how to get the occupants out.  They say it is not necessary, the are time travellers who move back and forth in time experiencing key events in human history.  They only travel where there is a record of them having been there though.  They don't want to come out as the inmates will be armed soon, "and you don't need to be from the future to know what happens next."

Indeed the inmates are reuniting with their beloved weapons and other items connected to them. Eagleton orders The Captain to got to the amoury like NOW!  Robot Archie has finally been defeated, his head has been knocked off.  Eagleton stalks out as Nolan says at least The Spider is still in his cell.  Eagleton strides down to one specific cell, the one holding Grimly Fiendish.  It's open and he stands in the doorway with his freaky monsters he's conjured especially for "Eagle Eye" Eagleton, who gets dragged in and slobbered on by them.

He tells Eagleton that there is a big fight going on in the armory right now, they are also fighting for their freedom and retaking what's theirs and the guards don't stand a chance.

Grimly: "Don't let the rubber men and the ray guns overwhelm you Eagle Eye. Don't be afraid of those wonderful freaks. Instead revel in them... Revel in their absurdity, in their power, they are our bravest and best!"

Security call up trying to get ahold of Doctor Maggot Malone.  The Captain is in the armory but he's turned on the guards  Malone just tersely says "what did you expect?" And hangs up on them.
Cursitor explains it all.
Cursitor tells Danny this was all foretold six centuries ago.   Danny was a young boy back then.  Cursitor trained him in the ways of magical lore then cast him forwards through time. So he could fulfil his role as Cursitor's heir and successor.  He arrived in the twentieth century just as all this began.   He had to forget so he could meet his calling without detection.

Danny says that he has done well and now Cursitor can depart.  Danny says isn't there a spell that means he can't leave the castle?  He says he is still able to freely move through the fourth dimension without hindrance.   He tells Danny that he is the "Ipsissimus" now. His memories will return gradually and then his studies can resume.  He will also be taken care of.  A portal opens and Cursitor smiles saying they shall meet again in the meantime he must uphold the name of Doom.  And in a flash he is gone.  Leaving a somewhat baffled Danny behind.

Danny goes to the armory where Charlie and Penny are and Captain Hurricane is making mincemeat of the guards down there. But he turns on one of the inmates who told him to shut his yelling up and attacked her.  But Penny uses a magic lamp to make genies that move the giant robot gorilla and have Gogra as it is called squash Captain Hurricane into the ground which knocks him out.  Gogra reborn then walks out the castle through a hole in the wall and into the sea.

Nolan marches through the corridors and finds Eagleton trembling on the floor.  He finds The Spider sitting calming further on. But he then transforms into the Rubberman who tells Nolan that The Spider left a message for him, "he said... to tell you... that you've lost."

Penny, Danny and Charlie are saling back.  Charlie is satisfied with his loot, Penny is at peace with what happened to her father and Danny morosely says he he has a "head full of @#%*".  Penny says he has a future and that's what's important.

Penny: "We don't have to think about the glorious past anymore.  We can do it better ourselves".

Danny says that he's an Ipsissimus whatever that is, Charlie is just Charlie, so what about her?  She plans to restore the House of Dolmann. Charlie says now the other lot are on the loose who knows what they might do.
The end...?
Two months later a disembodied hand appears to Tony Blair and his wife in bed together. It demands the Eye of Zoltec.  Blair says he can't hand it over, it's national security.  "Talk to the hand" it says and that brings this miniseries to a close.  There is some bonus material, a potted history of UK comics before 2000AD and some sample pages showing the various characters featured here in their original contexts.  Nice extras if you are interested.

So I mentioned Grant Morrison in the opening paragraph and I think it bears a comparison to his body of work.. First of all his Zenith Phase 3 wove many old UK comic characters into an epic story of Lovecraftian gods and parallel universes.  It was truly a thrilling read and one of my fave stories to appear in 2000AD.  This was not a thrilling read.  Oh, there are things to like about it, the dialogue is good, which it usually is with a Leah Moore story and the Danny character was someone you could sympathise with.  But it failed for me because I had no emotional connection to the characters and unlike Zenith Phase 3, the surrounding story wasn't strong enough for me to get past that.  The fact I had to extensively use the wikipedia page for this miniseries to fill in context and detail didn't help matters either.  The very weird meta bits with real life comicbook writers and artists interjecting felt like a Morrison rip-off as well.  Also it does date itself to 2006 with mentions of the infamous Iraqi prison scandals and Tony Blair still being in power.  Onto things I did very much like about it.  The main artsyle is great, I like the angular characters and thick black lines, gave everyone a comicy look without fully sacrificing realism.  The flash back art was good too, I especially liked The Beano style pages, because I briefly read The Beano before graduating to harder stuff.  All-in-all, for me this was a failed experiment.  It just didn't grab me.  How much that is the fault of Moore or the writers I couldn't say.  Leah Moore has gone onto carve out a career in her own right since this, and I'll be looking at something solely by her hopefully fairly soon. Otherwise this was, in the hateful internet term, "kinda meh".