Scene of The Crime (#1-4) PART TWO

"Fuck you!" - Jack Herriman

Continuing on with the collected edition of the comic Scene Of The Crime, written by Ed Brubaker and pencilled by Michael Lark with inks on issues #2-4 by Sean Philips, let's get up to speed with the story.  It's San Francisco 1998, a P.I. called Jack Herriman was asked by a cop friend of his to located the sister of his mistress Alex, a young woman called Maggie.  The only lead he had on her was she'd been seen at a hippy commune called Lunarhouse run by a man called Mitchell Luna who she had apparently been sleeping with.  He follows the trail to a motel and finds her, but the next day she is murdered and ten thousand dollars is discovered in her motel room.  Figuring maybe she was blackmailing someone Jack returns to Lunarhouse only to find the house empty and the cult having retreated to it's base in the countryside.  His uncle Knut who has raised him since his cop father was killed when he was twelve is a famous crime photographer and discovers something interesting in his archives.  Maggie, her sister Alex and their mother survived a fire at a commune in the early 80's which killed their father and now Jack thinks the missing-presumed-dead leader of that cult, Virgil Peterson is back as Mitchell Luna which would give Maggie a good blackmail motive.  He now plans to try and infiltrate the cults compound in the company of fellow P.I. Steve Ellington, a real old school Dashiel Hammett style detective. And now the conclusion.

Jack contemplates the scene of Maggie's death.

Jack goes home to grab some sleep before infiltrating the Lunarhouse commune. His talk with Alex has confirmed a few suspicions and asked more questions,  he doesn't believe he'll get anything useful from Luna.  He speaks with Uncle Knut's girlfriend Molly about seeing Alex and that she had "so much hate for the guy."

He wonders why Virgil Peterson would burn down the commune.  Molly suggest he find another survivor to ask.  He spends hours cross checking the police reports with the local phonebooks and find some addresses close by.  He drives out to see a "Stormy Sagebrush" and her daughter.  He arrives to find just the daughter Sandy there.  She agrees to let him in and talk but she keeps the curtains closed and one side of her head covered.

He tells her someone killed Maggie and Sandy calls her a "spoiled little bitch."  Jack asks her about her memories of the fire.  She says she doesn't remember much, just that it started in the kids dorm and spread quickly to the rest of the house.

"Kid's dorm?" queries Jack.  Sandy says they slept seperately from the adults so the could be "unfetterred or some crap." The adults watched them in shifts but mainly they were left to their own devices.  Her mum says the fire came at a "real convenient" time.  There was  "a lot of bad shit going down."

One of the commune fire's victims.

The police were looking into goings on there, and she starts to get defensive with Jack.  Jack asks her where Virgil was during the fire.  She doesn't know.  He shows her a photo of Luna and asks if it is Virgil, but she says it is not him.  Jack says Maggie and Alex seemed to think so.  She abruptly shows him the horribly burned side of her face and says she couldn't forget the face of the person who did this to her.

He heads back home, Sandy's "tortured face" weighing heavily on him.  Steve is waiting for him when he gets back.  Knut offers to come too, but Jack says things could get ugly and he has his "expendable back up".  Steve responds jokingly, "hey that hurts man."  And they drive to the compound.

Once they arrive they start scoping the place out.  One of the thuggish enforcers for Luna is on the gate.  Steve says if they wait an hour of so, he'll be so fucked up from what he is smoking he'll let the right in.  Jack isn't sure about just going in through the front door, but Steve says he's not climbing over razorwire.

Steve: "We just have to find Luna and corner him for a few minutes.  There we're outta here."

Jack wonders what they'll do if he doesn't cooperate.  Steve says that won't be a problem.  Later the drive up to the gate, but they misidentify the Pullwater on the gate, and when he gets aggressive, Steve knocks him out with the butt of his gun.

Jack and Steve go "undercover".

They venture inside the compund and see a lot of the hippies dancing around a fire.  They split up and Jack goes to check on the main house.  There is an argument going on inside between Mitchell and Jason Pullwater who tells him not to "wuss out" now.

Then a recovered Justin Pullwater knocks Jack out with the butt of a shotgun.  He is taken inside and as he starts to regain conciousness he hears a conversation between Mitchell and the Pullwaters.  Mitchell wonders what they'll do with him. Jason accuses him of "cryin' over some chick" and that there is no way Jack walks out of there now.

Then another man rushes in and tells them their marijuana crop is on fire.  Jason and Mitchell run out leaving Justin with Jack who has come to fully.  They have a brief fight and Jack knocks Justin out and Steve arrives and tells them it's time to get out of there.  He is the one whole lit the crop on fire and as they drive away the police show up as well called there by Steve.

Jack handles a fight.

After going to the hopsital to get his nose seen to Jack goes and finds his ex-girlfriend Gwen.  They parted on bad terms, when he shows up she says someone granted her wish and smashed his face in.  She asks what he wants, he says he just wants to talk.  He wants to explain why he dumped her.

She says does he know what it's like to have someone "turn off their feelings" for them and cut them out of their life completely.  He says he never stopped caring about her.  He haltingly tells her he made a choice after something "bad" happened.  He could feel the secret burning him up inside so he had to get away from that world with dope and her in it or he'd end up dead and maybe her as well. She asks what he did and he says he can't tell her, just that he had to get away.  They both admit the needed each other and she calls him an "asshole."

He leaves feeling a bit better, then Suzanne, Alex and Maggie's mother accosts him outside his home.  She says he had no right to go upsetting her daughter.

Jack: "Lady, let's not even go there.  All right?  Your family was fucked up long before I got anywhere near them".

They go inside and he shows her the picture of her and her daughters after the fire.  He tells her he knows Maggie death is connected with it and the death of her father.  Suzanne says she made a mistake bringing them there.  Jack wants to know what was going on that had the police interested.

Jack presses the truth out of Suzanne.

Suzanne says Virgil preached free love, and as the sixties had passed her by she fell under his spell.  They were dropping out and doing their own thing but the place quickly became just about drug and sex.  The situation with the kids was ugly as well.  Virgil encouraged them to experiment sexually with each other.  Then he began demanding blow jobs from the girls.  Soon he was having sex with them and the other men joined in "breaking more taboos".

Jack says did anyone not say this "was not okay".  She says one of the girls got pregnant and some of the families pulled out and went to the police or threatened to.  Jack asks if that is why Virgil set the place on fire?

Suzanne: "What?  Virgil didn't start the fire... no, Maggie did.  Maggie always started fires."

Later he awakes from sleeping with more questions.  Why was Maggie blackmailing Luna?  If he wasn't responsible for the deaths caused by the fire what did he have to be afraid of?  The statute of limitations on child molestation would have run out by now.  She could have stolen the money, but why then call Lunarhouse and leave her number?

He calls his police source Whitey and asks for the police reports on the commune before the fire.  He also calls Steve to asks if there has been any action from the tracker he placed on the Pullwater's truck, but Steve isn't in.  He's waiting around in his office when Paul, Alex Jordan's lover comes by.

Paul Raymonds appears.

He asks if Jack had anything to do with the fire at the Lunarhouse compound.  Jack pleads the Fifth.  Mitchell wasn't arrested but they had a couple of outstanding warrants on Justin Pullwater and brought him in.  He's currently in the jail infirmary.  He asks if he is connected to Maggie's murder and Jack says maybe.  Paul then asks if he wants to go question Justin and they head to the infimary.

Jason says he wants to make a complaint against Jack for injuring him.  Paul starts choking Justin saying they are not here for his benefit they are here for answers.  Jack shows him a picture of Maggie.  Justin says she hung out mainly with Luna and when one of the other men made a play for her "Luna blew his fuckin' lid". So after that she was left alone.

Jack wants to know why she was given ten thousand dollars.  Justin doesn't know, Mitchell told them to drop it but his brother Jason was pissed about it.  Jack then asks why they upped and left on the morning of Maggie's murder.  He doesn't know that either, just that their were a couple of phonecalls that night and Mitchell and Jason left.  When they came back they had to take off fast.

Jack and Paul interrogate Jason.

Paul seems satisfied when they leave that either Justin or Mitchell killed Maggie. Jack says he still has questions and he "hates loose ends."  He hangs around his office waiting for Steve and Whitey to get in touch.  Whitey sends him the police report but just as Jack starts looking at it, he gets a call from Paul.  "Alexandra Jordan had tried to kill herself."

Next day, Steve calls and tells Jack the Pullwater's truck has come into the city.  He had found it and was currently tailing it.  It's now parked outside a strip club five minutes away so Knut and Jack head out.  Jack goes inside Steve's car and they keep watching.  Soon Jason stumbles out and starts driving again. They arrive back at the house where Steve first found the car and goes inside.

Jack and Steve cautiously approach the building and Jason bursts out with blood on him and pushes them away, getting into his car he takes off at speed and it looks like he'll hit Knut who has also been following so Steve shoots him in the head bringing the car to a halt in time.

Jack finds Luna's corpse.

They go into the house to see what spooked Jason and find Mitchell's stabbed to death and still warm corpse in the kitchen.  Maggie's missing gun is on the table.  They don't understand why there is a small gun here, when there is a shotgun behind the door.

They stay and tell everything to the cops.  Jack thinks this has wrapped up too easily and the wrong people are going to be blamed for Maggie's death.

Jack: "A murderer was going to get away and clean and I still didn't know who or why."

Back home, Jack tells Molly things don't add up.  Mitchell must have trusted the person to let him in says Molly.  The police think Jason stabbed him, but why didn't he shoot him wonders Jack.  And what about the gun?  Molly suggest maybe it was planted after he was dead.  Suddenly Jack has a brainwave.  He checks the police reports of the goings on a Lunarhouse before it burned, makes a quick call then heads out, "finally making sense in all this senselessness." He barges into Alex's hospital room and tells them he's figured it all out.

Jack: "Luna wasn't Virgil Peterson, he was their father Geoff Jordan."

Suzanne says no, Geoff died in the fire.  But Jack says he went through the police reports and Geoff was one of a group of men under investigation for child molestation, he was "raping his own daughters".  And Suzanne misidentified the corpse so he could get away with it.  "He was my husband" she says pathetically.

Suzanne is full of excuses.

He'd been totally under Virgil's spell, but wanted a second chance.  So Suzanne tried to give them all a second chance.  Well it didn't work says Jack.  Jack asks Alex if the plan was that Maggie kill Geoff/Luna.  Alex says they weren't even sure Luna was Geoff at first. Maggie was going to spend time with him and call her when she was sure.

She didn't call so when Jack phoned her to say he'd found her Alex used caller ID to locate her. He phoned the clark at the motel who confirmed a woman was there asking for directions in the middle of the night. Alex said she just wanted to talk to Maggie, she watched Maggie and Jack until he left then went to her room to confront her.

Alex shoots Maggie.

Maggie was on the phone to Geoff at the time saying she didn't want the money anymore that he had given her as "child support".  She told Alex she didn't want revenge anymore either. Then she confessed to having slept with her father again by choice and this made Alex so angry she picked up Maggie's gun and shot her with it.  Then she called Geoff and told him what she had done.

Alex: "And what he had done to both of us.. with his late night visits... crawling into my bed, offering me to his friends."

She tells Paul she is so sorry and they hug.  Jack asks Suzanne how long she had known Alex killed Maggie.  She says it was in Alex's suicide note which she has burned.  "And how did you find your husband today?" Jack asks.  She says he called her so she went and stabbed him to death and left Maggie's gun to implicate him in her death.  He deserved to get the blame, he destroyed her family.

Suzanne: "I should have killed him a long time ago."

Jack leaves the hospital in anger, Paul follows him.  He says the case is now closed with "Luna" and Jason getting the blame for the deaths.  Jack says all he can see is two women getting away with murder.  Paul didn't know the details of what had happened until now.

Paul: "You really think it would serve any kind of justice to put her away?  No - I'll help her, but I won't turn her in.  And neither will you."

Paul marches back into the hospital and Jack thinks he's right.  "And we both know why."

Paul warns Jack not to take this further.

Later Gwen finds Jack in a bar.  They go and sit and talk.  He tells her ever since he started running around doing drugs and drink Paul had been there for him.  Got him out of jail, got charges dropped, kept his record clean.  He resented him for it.  He has promised him he'd never tell the secret between them that had broken him and Gwen apart but "y'know what?  Fuck it.  Fuck secrets."

Two weeks before he left her he was hanging around outside his dealer's place.  He overheard an older junkie gangbanger called Roach being teased for killing the wrong cop.  Jack questioned his dealer about it and discovered Roach had was responsible for the bomb that had blown up his father.

Jack stole a gun from one of his dealer's crew and started stalking Roach.  When he went somewhere secluded, Jack confronted him.  When Jack pointed the gun at him he laughed, and when Jack told him why he was threatening he laughed some more.  So Jack shot him.

Jack: "And then I saw his eyes.  And everything changed inside me."

Roach was lying on the floor bleeding out, scared and crying and apologising for what he did.  He begged forgiveness with his last breath, "no hardened killer, just another scared fuck up like me".  Roach died in his arms and Jack called Paul.

Young Jack shoots Roach.

He came and cleaned the place up, got rid of the evidence and "covered my ass".  He took him back to Knut and Molly and they helped get him clean.  Watching Roach die had broken Jack.  It would have been easy just to shoot up and forget.  But "it was time for me to grow up." So he kept his mouth shut and let Paul cover it up "and I learned to live with it."

Despite it all, Paul saved his life.  Gwen says he could have told her this back then.  Jack says he just froze, he didn't mean to hurt her, he was just lost.  She wonders why he is drowning his sorrows in a bar now.

Jack: "I guess knowing life is unfair and being happy about it aren't the same thing.  I mean it's not like a I'm a completely different person..."

He then asks her how she knew he was here.  Steve directed her to this place and she smiles and says, "So, do you wanna tell me about your day?"

Gwen offers Jack a second chance.

The story ends with Jack confirming that Geoff/Luna was blamed for shooting Maggie and Jason for stabbing him.  He hangs a photo of Maggie's body at the crime scene that Knut took and thinks:

Jack: "Maggie wanted something simple, just a little piece of the goodnight she had never gotten as a child.  What she found was a complicated mess of emotions and anger... a whole family torn apart by tragedy.  It wasn't a unique tragedy by any means, but it was a tragedy."

And that brings the story to a close.  A very satisfying if dark conclusion with no pat easy answers.  The nice thing about Jack Herriman is he not a hard boiled detective, he cares about the people he meets during his job and he has plenty of flaws that helps him identify with the vulnerabilities of people he deals with.  I said at the end of the previous post that it is a real pity this never went to series as Brubaker effortlessly establishes an in-depth backstory for Jack and a nice cast of characters that would have been fertile loam for future stories.  Reading the extras that come with the book which includes a look back by Brubaker it seems the story was well received at the time but the project lost it's intertia and other things presented themselves to both writer and artist. So apart from the included short Christmas story where grinchy old Jack learns the value of family at Christmas due to the plight of a homeless orphan, that was it for his story.  Which definitely left me wanting more, dammit! The collection also includes Brubaker's original pitch for the miniseries and it's fascinating seeing how things get refined and changed in their journey from initial outline to finished article.  If you love crime comics you'll definitely enjoy Scene Of The Crime, despite what Brubaker thinks, the writing holds up fine and the art is fantastic.  It's easy to see why Lark was snapped up to do stuff like Gotham Central and Daredevil.  So enjoy it for what it is, and try not to think of what could have been and if you're at all interested in the canon of Ed Brubaker and/or Micahael Lark, you need to have this in your collection.

Scene Of The Crime (#1-4) PART ONE

"Try not to be too much of a smartass." - Paul Raymonds

I'm a big fan of detective fiction, it's about the only type of non-comicbook related reading I indulge in these days.  I'm also a fan of the DC series Gotham Central which focused on the life and work of the Gotham PD, an even grittier than usual take on the Batverse.  The writers on that series were Ed Brubaker and Greg Rucka and the main artist was Michael Lark who's art is absolutely brilliant and perfect for crime fiction.  I decided on checking out each writer individually, Greg Rucka on Batwoman and Lazarus (both excellent, I'll be looking at the first Lazarus volume later this month) and this story by Ed Brubaker which was one of his first professional gigs and as a bonus is pencilled by... Michael Lark (inked my Sean Philips on issues #2-4) which was originally published by Vertigo in the late 90's and has just been reissued in a lovely hardcover edition, with the bonus Christmas story and various "Behind the Scenes" bits and bobs, including a retrospective assessment by Brubaker.  He says while he is proud of the work, some aspects make him cringe now.  Mostly the fact that he believes he crammed too many words into the first person narrative captions, and it is true that the book is extremely textually dense (hence my splitting this look at it into two parts).  But maybe because I have been raised on UK comics like 2000AD where decompression is not an option and cramming stories with text (at least back in the 80's) was the norm but I don't find it problematic.  So I don't think it's anything Brubaker needs to apologise for.  Anyway, let's get started with a twisted tale of a San Francisco based private detective and his entanglement in a case involving a distressed dame, a hippy cult and a deep dark family secret.

It starts with our protagonist Jack Herriman thinking about death.  He'd been hired to find a missing kid and had found him dead in a dumpster.  He was eleven years old.

Jack: "I just couldn't understand why the world would want want to bring about his end".

Then a man called Paul Raymonds steps back into his life.  They used to be like family but have drifted apart.  Paul gives him a job saying the woman who needs his help will be along tommorrow.

Jack is given the job by Paul.

As he heads home, Jack muses that the relationship between him and Paul had just got twisted up a long time ago, as well as him being "a reminder of the trouble I'd gotten myself into."

Next day Jack is phone by the woman who says she is on her way.  Jack's office is just down from his bedroom so he is in no rush, still he is nervous about meeting with her in a way he can't pin down.  He regards a photo of Paul Raymond dressed as a beat cop along with his partner, Jack's dad, and can't understand why Paul would send work his way.

Alex Jordan.

Then an attractive blonde woman appears in the doorway, her name is Alex Jordan and she's who Paul has sent. Jack asks how she knows him, she says she a temp at a law firm where he gave a deposition.  Her case is a missing persons one, her little sister Maggie, she and her mum haven't heard from her in over a month.  She's checked her apartment and found she hasn't been back for clean clothes so they have no idea where she is or what she is doing.

Jack asks why they don't inform the police.  Alex says Maggie used to be a bit of a wild child and might have slipped back into her old ways so police involvement could be bad for her.  Jack asks where she last saw her, and Alex says January the 3rd, she was going to some kind of New Age seminar.

"Whoa" says Jack, he doesn't kidnap people from cults.  Maggie says that won't have happened - "you'd find that pretty amusing if you knew her."  She hands over pictures and a flyer for something called the "Lunarhouse".  Jack warns her that missing persons cases are either incredinly easy or incredibly hard and he should know which by tommorrow night and she can decide if she wants to carry on then.

The lead.

After she has gone, he makes some calls and reckons she's Paul's mistress which is why he doesn't want to handle the case himself, and he sent her to Jack because despite everything he knows he can trust him.  Also he must have known the effect Maggie's photo would have on him:

Jack: "She was exactly my type.. right down to the quiet sadness in her eyes that most people would overlook".

He goes downstairs to the "Scene Of The Crime" photographic gallery he lives and works above.  It's run by an elderly couple, his uncle Knut and his girlfriend Molly.  They raised Jack from age twelve.  Knut Herriman is a famous crime scene photographer who has been working since the nineteen forties.  Molly has been engaged to him all Jack's life but always manages to find a way to postpone the wedding.  Her latest excuse is not until Knut retires, "which he can't quite bring himself to do."

Jack moved in when Knut was packing up his old office four years ago when he was getting his life back together after spending many years "trying to blow it apart".  Becoming a P.I. seemed like a good idea because the only thing he was any good at was getting into trouble.

Fun and frolics in the Lunarhouse.

He arrives at the Lunarhouse and goes inside unchallenged.  It's a typical hippy commune, people smoking weed and having sex.  He asks about Maggie but one of the hippies accuses him of being a "narc".  Before things can go badly for Jack, Mitchell Luna who runs the place appears.

Jack shows Maggie's picture to him and Mitchell tries to conceal his surprise.  He says she looks familiar but he can't be sure.  She definitely isn't with them now.  He says Lunarhouse is a free community, "we don't ask for two kinds of I.D. and a credit card."  He tells Jack he has a lot of negative energy and should check with Ilsa at the front desk about Maggie.

Mitchell Luna.

Jack thinks that Mitchell definitely recognised Maggie and briefly looked scared when he showed him her photo. Ilsa confirms Maggie was there.  She stayed for ten days and mostly kept to herself, the only person she slept with was Mitchell.  Jack is surprised he couldn't remember her, but Ilsa says that's because he sleeps with everyone.

Outside Jack rummages through Mitchell's rubbish and gets "incredibly lucky".  He finds a message for Mitchell from Maggie with a phone number on it.  Then one of the hippies spots him and chases him, but Jack easily outruns him and returns to his car.

The phone number belongs to a motel called "Sleepy Shores" in Santa Cruz.  His check on Maggie's car had come back negative so the motel is the only lead he has.  He decides to drive there and scope the place out rather than risk spooking her over the phone.

He tells the motel manager he is from an insurance company and he confirms she is staying there under the name "Maggie Johnson".  She regularly disappears and comes back "ripped to the gills" on drink.  He calls her a real "wild one".

Chivalry fail.

Jack decides to stake the place out and wait for her.  He calls Knut to help him out.  Knut arrives and says looking out for an attractive woman is more fun that serving supeonas to truckers.  At midnight, Knut is asleep.  Jack thinks that he comes along with him on stakeouts because he used to do them with his dad.

Jack: "He never talked about it, but I was sure he missed my dad a lot."

Finally Maggie shows up, but she is very drunk and has a man with her.  She passes out and the man starts rooting through her bag.  Jack runs up to stop him and gets punched in the face and kicked in the gut for his trouble.  Knut comes running up and scares the man off using his camera.  Jack thinks that he knows he's no fighter but, "it was still embarrassing to be saved by a sixty eight year old man."

Sobering Maggie up.

Then he notices Maggie has a gun amongst the things in her bag.  He leaves a message with Alex saying he found her sister, but doesn't say where yet.  He wants to question Maggie first and find out what she is running away from.  He contemplates the gun and how the last time he pointed one at someone he wasn't ready to kill them.

He and Knut put Maggie in the bathtub and turn the cold shower on her giving her a rude awakening.  Knut heads home while Maggie gets changed and she and Jack go to a diner for a chat over something to eat.  Jack notes she doesn't think much of Paul when he tells her who asked him to find her.  He also tells her he knows about what she did at the Lunarhouse.

Maggie says she and her sister were raised in a place like the Lunarhouse, "It's not like I had some cosmic moment and decided to 'drop out'".  He asks why she is in hiding and why she carries a gun.  She says the gun is for protection.  She said she realised the Lunarhouse wasn't what she needed:

Maggie: "I mean.. I know what I thought.  I was looking for some little piece of my father or something."

When she left and got on the highway she couldn't face going home and just wanted to disappear. Jack asks what happened to her father.  Maggie says he died a long time ago at the commune she was raised in, she barely remembers him.  When Jack commiserates, she says "I'm pretty sure he was an asshole."

Then she asks Jack how he lost his eye.  Jack notes that people don't usually notice it that quickly.  His dad was a cop who had made a big drugs bust and pissed off a lot of the local gangs.  But it was his partner who had made them really mad by betraying some of his confidential informants.  One day when his own car was in the shop, Jack's dad was driving his partner's car.  He dropped Jack off at home and the car exploded, killing him and injuring Jack badly enough that he lost an eye.

Maggie and Jack part.

Maggie is sympathetic and Jack says "it messed me up pretty bad for a long time".  She says it puts her woes into perspective, finding out that others have it worse than you.

Jack: "Sure it can.  But who wants their life put into perspective?"

They stay and talk more, she agrees to call her sister and tell her she's alright.  By the time Jack drops her off at the motel it "felt more like the end of a first date than a case."  He gives her his card and she promises to call him, he makes sure she gets back to her room OK and thinks that maybe he could save her from her self-destructive impulses, the way no one did for him.

Jack: "Whatever the case, it was a moot point, because she was dead by morning".

He gets the call at 9:30 in the morning, his card having been discovered amongst her things.  He drives down to the scene of the crime because the lead detective wants to question him and he needs to see for himself.  Knut comes along as well.  Jack is unsure as to why she has ended up dead, "Maggie was just a confused kid running from past mistakes".

Jack: "But maybe the mistakes were bigger than I figured.  Or maybe she ran too far in the wrong direction."

Knut takes photos of the crime scene and Jack thinks how being his nephew gets him a "respect I hadn't always deserved".

The scene of the crime.

The sergeant at the scene tells Jack she took three shots in the back.  Jack asks about her gun and the sergeant says they didn't find one.  Jack then fills him in on Maggie's backstory.  The sergeant says he kinda messed up letting her keep the gun, he also says the motive can't have been robbery as she had a suitcase filled with ten thousand dollars still in her room.  Jack then goes to the motel clerk and asks for a list of outgoing calls from her room that night.  There were three, the one Jack made to her sister and the other two were to Lunarhouse.

He and Knut leave, Jack assumes the money is connected with the motive of the crime, maybe she was a blackmailer although he didn't like thinking of her as one.  But he can't think of any other explanation for the money or the murder.  He drops Knut off and tells him he's going to keep pursuing the case, "I just feel like I screwed up big time and I can't just wait around for someone else to find out why."

He goes to the Lunarhouse and finds it completely empty of people and things.  He goes upstairs to the attic and discovers it was a weed farm, "millions could be made in a room like this."  Outside he offers two homeless men five dollars if they can tell him when the hippies packed up and left.  One of them says around seven o'clock.  That was when Maggie's body was discovered, "that was a little too much of a coincidence."

Lunarhouse is now deserted.

The two homeless men start fighting over the five dollars and get into a punch up over the money.  Jack intervenes and gets punched as well.  He retaliates and suddenly realises he's beating up homeless men.  He goes back to his car to calm down.

Jack: "I was losing it... things had been spinning out of control all day.  I could feel the ground slipping out from under my feet."

He drives over to Alex Jordan's house and waits for her to come back from identifying her sister's body.  She returns with an older woman and go inside.  Jack knocks on the door and the older woman answers it.  She is Alex and Maggie's mother.  Alex has taken a sleeping pill so she can't talk to him and she wonders why she should help a man who left her daughter alone with a loaded gun.

Jack says he wasn't paid to kidnap her, and if Alex had been "more up front about the facts" he would have been more cautious.  When their mother queries this, Jack wants to know why Maggie would have ten thousand dollars in cash, was she a blackmailer?  She says anything was possible with Maggie, they had drifted apart over time.  She wasn't even that shocked she had died, "I guess I'd been expecting it for years."

Maggie and Alex's mum.

She tells Jack to go, they don't want his help.  Jack asks what Alex meant when she said Maggie had a "wild past".  She refuses to elaborate and says they made a mistake not going to the police.  He asks to use the phone before he goes and sees Alex in the bedroom, wide awake and sobbing. "Why couldn't either of these women just tell me the truth?" thinks Jack.

Jack visits his source at the police station and finds out Maggie had quite the record for petty crime.  Drugs, arson and prostitution as a teenager and a couple of busts for pot and coke as an adult, "nothing that seemed to suggest a sudden leap to blackmail."  He also finds out that Alex had been arrested for stabbing her mother, but let off with probation as the wounds were not severe.  Their mum also had a record for drugs and prostitution in the 1970's but nothing in the twenty years since.

Jack asks if Luna has a record, but despite having been bought in for questioning over underage sex allegations his record is clean.  Jack then goes to confront Paul saying he knew Maggie was into something fucked up.  Paul says he's as surprised about the money as Jack is and Alex knows nothing about it either.

Jack updates Paul on the case.

Jack tells him everything he found out and his theory that Maggie might have been blackmailing Luna, even though that doesn't feel right.  He says he's going to keep looking into the case, and Paul says he should have been a cop.  Jack sarcastically says they need "more cops who are afraid to shoot people."  And he leaves.

He goes to a bar and meets his friend Steve Ellington who is also a P.I.  He's a real Dashiel Hammett style investigator and probably better at it than Jack.  He fills Jack in on what they know about Luna.  He showed up in San Francisco in early '97 and they had him under surveillance for attracting runaways and possible pot growing and trafficking which Jack confirms.  All they know about Luna is that he was born in Fresno in 1950.

They've probably retreated to their commune in Santa Rosa where they own thirteen acres.  Steve says it's locked up tight but he thinks he can get them in.  Jack says he just wants to talk to Luna, but Steve says he's unlikely to grant him an appointment now.  He's going to come along because Luna's main men are the Pullwaters who have done time for armed robbery and attempted murder, "you need a bodyguard Jacko."

Steve Ellington.

They drink and Steve says it's been a long time since he saw Jack consume alchohol, the business with Maggie must have really messed him up.  He describes her to Steve and he says she sounds familiar.  Then he tells Jack someone called Gwen is back in town.  Jack wonders if she asked after him, Steve says she wouldn't even talk to him and they carry on drinking.

Later, drunk, he goes and finds Gwen.  She says she thought he quit drinking, but he says it's been a rough week.  She says she doesn't care.  Stumbling after her he tries to apologise, saying he feels terrible for not explaining things properly to her.  She calls him a "fucker" and gets him into a cab.

As he is driven home he thinks back to how they spent four and a half years together, drunk and sober, off junk and on it, "but a secret had built a wall between them... and ultimately ripped my life apart.  I had deserted her then".  Back home, Knut and Molly are still up.  Knut says reading the Lunarhouse leaflets had reminded him of an old case.

Drunk Jack makes a fool of himself.

In '83 there had been a fire at a commune where twelve people had died.  He dug out the photos and in one picture there stands an adult woman and two girls, Suzanne, Alexandra and Margaret Johnson.  The body at their feet is Geoff Jordan, Maggie and Alex's father.  The man who ran the commune, Virgil Peterson, was assumed to be amongst the dead.  But now Luna had cropped up with the same philosophies, "the resemblance was slight, but it was there" thinks Jack as he contemplates the old photos.

Jack: "And if Mitchell Luna was responsible for the death of her father, that gave Maggie a pretty solid motive for blackmail."

He's left wondering why Maggie would sleep with Luna is she knew who he was and how much did her mother and sister know.  He goes to confront Alex, who is with Paul.  Aggressively, Jack says he thinks she knew Mitchell Luna was the man who killed their father.  But Maggie got scared or selfish and that's why she split and why Alex didn't want the police involved.  Alex, in some distress, says blackmail was never part of the plan.  They wanted to get back at him, turn him into the police.  She doesn't know why Maggie changed her mind, only that he had a way of turning things around.

Alex: "We should have just killed him".

The plot thickens!

And on that note, we're about halfway through so time to take a break.  So far Brubaker has crafted an intense and gripping mystery with an interesting main protagonist in Jack.  It's unfortunate that this never went further than this miniseries because all the backstory and cast members introduced are just begging for further elaboration that never came.  That said what is contained in this story gives it depth and pathos and the fantastic art by Michael Lark and Sean Philips adds immeasurably to the atmosphere giving the whole thing a very "street level" feel.  Join me in a couple of days as all secrets are revealed and questions are answered.